Tagged: acting
Valse Triste
An old man puts on his favourite vinyl record. He listens, he imagines, he remembers…
Valse Triste by Jean Sibelius:
A Prelude to ‘Listen, London’
Piano – Concept
Belle Chen
http://bellechen.com
Script – Camera – Direction
Maarten van der Glas
Dance – Choreography
Takeshi Matsumoto
Anastasia Kostner
Executive Production
Belle Chen
Video Production
indivisuals.nl
© 2013
‘Listen, London’ premieres in London on 22nd August 2013. For more information visit http://bellechen.com/listen-london
To read more about the composer, please see here.
The Art of Writing
How is technology changing art?
© 2012 Madalyn Parnas, Takeshi Matsumoto, Belle Chen
The Concept
During the course of history, the arts have always been impacted by the technological advancements of the time. Whether it has always been a welcome change, we do not know. But just as French Impressionist paintings were born as a reaction to the rise in camera photography, Karlheinz Stockhausen’s tape loops were born out of electronic devices and recorders, the powerful computers and softwares today have created a market that heavily emphasises on production (where the ‘art’ is then mass distributed via satellite and internet to televisions, computers, and other personal devices).
But what effect does this have on the core essence of art? How does production and mass distribution affect how the composers write melodies, how writers pen words, and how actors perform? We present you a case study. Based on ‘Giga’ from J.S. Bach’s Partita for Violin No. 3, we strip away the production, the costumes, the make-up, and the lighting, to present you what is really behind a hit pop song in the 21st century.
The Music
The German composer Johann Sebastian Bach (1685-1750) was one of the most significant composers in the development of western art music. J. S. Bach’s compositional use of counterpoint, harmony, motivic development, form, textures, and rhythm influenced, and is still influencing, composers generations after his death. J.S. Bach was a prolific composer; he had composed in all genres of his time, with opera being the only exception.
J.S. Bach’s Partita for Violin No. 3 is in the canon of violin repertoire, and is a work familiar to violinists worldwide. It consists of six movements, most of which are dance movements and exemplify J.S. Bach’s skilful writing in the style of various dance forms from differing origins. ‘Giga’ (or ‘gigue’), the final movement of the Partita, is a lively Baroque dance that originated from England.
The Artists
Violin: Madalyn Parnas
Madalyn and her sister Cicely Parnas are performing as guest soloists with El Paso Symphony, as well as a series of solo and chamber recitals, at the El Paso Pro-Musica Chamber Music Festival from 24th January 2013.
Actor: Takeshi Takematsu
For Takeshi’s biography, please see Featured Performing Artists. Takeshi will be on tour with Hagit Yakira in summer 2013. For more information please see http://www.hagityakira.com
Concept and Editing: Belle Chen
Other Interpretations of ‘Giga’ from J.S. Bach’s Partita for Violin No. 3:
Jasha Heifetz: http://www.youtube.com/watch?v=8j1nNOxYuRw
Hilary Hahn: http://www.youtube.com/watch?v=0NAwo4zztQU
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